Prof. Dr. Dr. h.c. Jonas Grethlein
Professor and Chair of Greek Literature
Department of Classical Philology
Heidelberg University
Greek Literature
Mailing Adress:
Marstallhof 2-4
69117 Heidelberg
Office Adress:
Sandgasse 7, ZG 010
Telefon: +49 6221-54 2262
jonas.grethlein@skph.uni-heidelberg.de
Administration: Sabine Hug sabine.hug@skph.uni-heidelberg.de
Curriculum vitae
Table
Education | |
2005 | Albert-Ludwigs-University Freiburg, Germany: “Habilitation” (double venia legendi for Classics and Ancient History) |
2001-2002 | Albert-Ludwigs-University Freiburg, Germany: Classics, History (Dr. phil. 2002: summa cum laude) |
1999-2000 | University of Oxford (Trinity College), England: Classics, History |
1997-1999 | Georg-August-University Göttingen, Germany: Classics, History |
Professional Employment | |
2024 | Professor of Classics, Greek Literature, Freiburg University (declined) |
2021 | Regius Professor of Greek, Cambridge (declined) |
2012 | Chair in Classics, St Andrews (declined) |
As of 3/2008 | Chair in Greek Literature at the University of Heidelberg |
2007 | Assistant Professor, University of California, Santa Barbara (as of 6/2008 Full Professor with tenure) |
2003-2009 | Emmy-Noether Fellow (Deutsche Forschungsgemeinschaft) |
2003 | Junior Research Fellow (Interdisciplinary Research Group “Identities/Alterities” at Albert-Ludwigs-University Freiburg) |
2003 | Summer Associate at McKinsey&Comp., Inc. |
Editorial Work | |
2020- | Co-editor of “Brill Companions to Classical Studies”, together with Emma Dench (Brill) |
2020- | Advisory Board of “Themes and Forms in Graeco-Roman Literature” (Mohr Siebeck) |
2019- | Co-editor of “Classical Scholarship in Translation”, together with Renaud Gagné (Cambridge UP) |
2019- | Editorial Board of “Emotions in Antiquity” (Mohr Siebeck) |
2018- | Editorial Board of “Ancient Cultures, New Materialisms” (Edinburgh UP) |
2017- | Editorial Board of “Trends in Classics” (De Gruyter) |
2015- | Co-editor of ZETEMATA, together with Martin Korenjak and Hans-Ulrich Wiemer (C. H. Beck) |